Documentary film has always had a complex relationship with archive material and archival practices.
In the 20th century media texts, such as television programmes, were transitory. It was assumed that a programme would air once, maybe twice if you were lucky, and then never be seen again by the public. However, the internet’s prominence in our lives has changed these once transitory texts into objects of permanence. Audiences now assume that once published, texts should be available to be revisited, resold and engaged with. Platforms like Youtube, Netflix and BBC iPlayer make this possible. The online library becomes some what of an archive in and of itself, allowing media texts to have an afterlife.
Archive has historic, educational and entertainment value however it needs technological, creative and curatorial skills to be able to unlock its full potential. The internet encourages publishing material and then connecting to audiences and similar texts. So you could argue that TV frameworks are becoming outdated.
If you consider another creative medium, such as music, you do not think of music from the past to be ‘archive music’. A song from the 1950’s is not considered to be ‘archive’, it is thought of as an album to be enjoyed in the present, perhaps even added to a playlist amongst recently created music. This framework encourages the integration of relevant material from both the past and the present for audiences to enjoy. It is interesting to consider what kind of digital innovation will be necessary to get archive film to be handled in the same way. Continue reading Archive Film Part 1
Here is an exercise we had to complete for my course:
Working with Archive exercise – Diane Di Prima: Women of the Beat Generation from Elizabeth-Valentina on Vimeo.
Using only footage/interviews and music from other sources we had to produce a 2 minute short film on a topic of our choice. As a result, I do not own any of to footage or audio featured in this video.
In my research I found a great zine called BEATDOM . Each issue is themed and full of essays from academics, fans and creative writers with unique perspectives of the writers of the Beat Generation. Themes include, the contribution of women to the literary movement and the Beat’s drug and alcohol (ab)use.
As part of my course at UCL I recently completed a short observational film called ‘Life on Two Spectrums’. It is a short documentary project looking at the experiences of members of the LGBTQ+ community with Autism and Asperger’s syndrome. The film follows Dan ‘Tia Anna’ Kahn, a drag queen with Asperger’s Syndrome who founded A.S.P.E.C.S (Autistic and Aspergers Persons of Every Category of (Queer) Sexuality) a support and networking group to help address the needs of the neurodiverse members of the LGBTQ+ community.
Watch below or at https://vimeo.com/199202763
Life on Two Spectrums: Autism and the LGBTQ+ community. from Elizabeth-Valentina on Vimeo.
I haven’t posted in a while because I have been preoccupied with University applications, open days and interviews as well as the BFI Film Academy WM but now that that’s all coming to an end I will be devoting my time to production and blogging. BOA TV have been very busy as of late. We have been working on a few exciting projects which are now coming close to completion.
During the half term, we went to the 2013 BVExpo in London to take a look at some of the newest software and technology. It was a great opportunity to network with industry professionals and get some advice about kit and upcoming post-production packages. We filmed snippets of our visit to the expo and will be piecing it together soon.
A lot has changed in regards to my final major project; I am no longer producing a video for BRIC-ITT due to unforeseen circumstances. Instead I am working on a promotional video for BOA’s Eastside neighbour, Millenium Point. Having to totally rework my original plan was easier than expected and we had a shot list was complete within 2 days. We have also filmed the initial interview with Philip Singleton, CEO of the Millenium Point Trust. We plan to use this interview as the audio base for our video and punctuate it with a narrative voice over. Today was the first day shooting at Millenium Point and the surrounding area of Eastside. The internal shots were far easier to capture than the external ones because of the severe weather conditions. The strong winds made it hard to control camera shake as we were using a shoulder mount and a fig rig but we took whatever shots we could to use as placeholders for the time being. Tomorrow we will correct these shots by using a tripod and keeping our fingers crossed for a brighter day with no snow. We will also try to get some of the Year Ten students to use the Science Park because we were not able to film minor members of the public due to consent issues. The project is running smoothly so far and we will turn over a 6 minute edit as well as a shorter one for the Imagine BOA YouTube channel.
The Library of Birmingham promotional video is also in the works right now. We have just one interview left to record and a couple of pick up shots from the inside of the new building. The edit has been more challenging than usual as I have been learning to edit using Avid rather than what I usually use, Adobe Premiere Pro. It is an entirely different process but finding my way around the new software has been all the more rewarding. Tomorrow we have a meeting to show the edit so far to the client, just to make sure everything is in keeping with their vision.
These are the projects we are currently working on but we have a few lined up. For the latest updates of BOA TV’s work check out our Facebook page. http://www.facebook.com/pages/BOA-TV
To see our productions check out the Imagine BOA channel http://www.youtube.com/user/imagineBOA/
Korean-American artist, Nam June Paik is considered to be the first video artist and his work has been shown in museums and galleries around the world. He was a visionary and he basically brought Television and Video into art and stressed that they weren’t sculpture, nor paintings but ‘Time art’. He understood the power and significance of the media and television in particular. He was actually the first person to use he phrase ‘electronic superhighway’ and predicted the internet age.
Perhaps his most notable piece of work, and one of my favourite installations, TV Buddha (1976) shows an antique Buddha statue opposite a small camera and video monitor on a closed circuit camera, capturing an encounter between the Western Technological Media-orientated world and Oriental deity. TV Buddha was a last minute addition to his fourth show in New York and was simply produced to fill the gap on an empty wall.
The piece raises questions about self perception as well as the relationship between the past and the present, ever evolving technology society depends so highly on.
His ability to so effortlessly blend media forms with art and to have a complete disregard for language barriers leads to thought provoking, creative pieces that have left a significant imprint on the world even after his death in 2006.
Since my last post, I have been tremendously busy working on content for BOA Broadcast’s first magazine show, ‘Friday @ Two’.
After finishing off ‘Sack Sales on New Street’, I filmed a cooking show with Jake. We tried to steer away from the usual presenter led programmes and concentrate more on the visuals. I am really proud of the finished product so please, check it out!
The final VT I worked on was a feature on the Clothes show. With our press passes we were able to get into restricted areas and get interviews with designers, organisers and models. For me, the highlight of the experience was having to fight our way to the front of the press pit at the end of the fashion theatre catwalk.
Here’s the final product…
The filming of ‘Friday @ Two’ went smoothly. It was a very collaborative effort, we chose two students from the acting pathway to present after the auditions and they were absolutely fabulous. The rest of the crew worked well together and despite a few hiccups along the way, I think we pulled through it.
I am looking forward to working on the next episode of ‘Friday @ Two’ and using everything we learnt to make February’s show even better than our Christmas special.